I’m A Sucker For New Technology.
Playing with a new gizmo brings me an incredible level of joy. This is true even if the technology proves itself not quiet ready for prime time. So I ordered the revolutionary Lytro, the first consumer focused plenoptic camera, also known as a light-field camera, without a single moment of hesitation on the first day it was available for purchase. On Monday, after several months of waiting, my Lytro finally arrived.
I immediately went outside to snap a photo. Looking at sample images and reading up on the technology in advance had prepared me for what was going to be required. To get the best results, I would need to have one object very close to the camera and others further away. To get even better results, I should shoot the photo using the camera’s 8x zoom at full strength. So that’s what I did.
This photo below was my first plenoptic image:
Click on the photo to refocus on the flowers in the foreground or the van across the street. The Lytro certainly delivers on the magic it promised, giving the viewer the ability to refocus the photo. And, I must say, this is some of the coolest technology I’ve ever seen. But my awe was quickly dashed as I plugged the camera into my Mac, the only operating system you can use the camera with, and downloaded the photo for processing.
Why You Should Probably Not Buy A Lytro.
First, the resolution of the images is incredibly low. This is something that will obviously get fixed, but it’s also probably one of the main reasons not to buy the first generation camera. What you see in that first photo above is the highest resolution I can give you. In fact, that format is the only thing I can give you. Which brings me to the next problem.
Second, they can only be viewed using Adobe Flash technology. Considering the fact that Adobe killed flash development for mobile devices four months before the Lytro’s delivery to my house, I see this as a major weakness. Right out of the box, I know these photos can only be viewed on a browser on someone’s computer. In fact, they can only be embedded in web page like this, shared to Facebook, or viewed on my Lytro page via link. Thank goodness they’re at least Pinterest friendly. (Edit: Thanks to Gahlord Dewald for pointing out that they indeed CAN be viewed in HTML5. I had never visited a living picture from my mobile phone. When visiting from a computer, it defaults to Flash, whether here on this page, on Facebook or at the Lytro site. And thank you to Kira Wampler from Lytro for clarifying it on Twitter as well.)
Third, they can only be processed on a Mac. Since I’ve been using a Mac since 1984, this actually made me smile. But if you’re not a Mac owner, you can’t process the photos from this camera. This is a fairly large impediment to use if you own any other brand of PC. 🙂
Fourth, not everyone is a good storyteller. While there is no focusing required, which should mean taking photos will be faster, this is not the case. Because the main benefit of the camera is the ability to refocus, you’re going to want to make the focal points something of value. This requires some thought and planning. “Issues of composition and sequence are more narrative than straight ahead,” Gahlord Dewald wrote in his real estate focused Lytro review. “The kinds of images that are made with the Lytro require thought and planning in a different–more storylike–way.”
Why I Won’t Be Giving My Lytro Up
I’ve been “playing” with my Lytro for four full days now. Sometimes dangerously. And that’s been just long enough for my initial frustration with the limitations of the technology to fade away. I’ve moved into “art mode.” It is exactly the “different–more storylike–way” that this camera enables that has me most intrigued. Shots like this one, of Wendy Forsythe and her new business card, have the potential to tell a story in a way other photos may not be able to.
“I strongly suspect that the Lytro will proceed along a path that appeals primarily to art photographers,” Gahlord added, “and will gain traction there slowly due to the low pixel dimensions of the images.” I agree. And I certainly fall into the category of amateur art photographer. So, I’m going to put up with the pain of the technology limitations and the haptic flaws in its design and play with the potential of creating “living pictures,” like the one below from Gahlord. It’s a classic illustration of what Lytro is all about.
Should you buy the new Lytro camera? Probably not. It’s certainly not for everyone. Not yet anyway.
Ira Serkes says
I already commented on Gahlord’s post so will simply include his link.
http://next.inman.com/2012/03/lytro-a-new-kind-of-photograph/
I think it’s cool, very cool .. and can’t wait to play with it.
But once you get past the “golly, gee whiz” you need to give someone a reason to click on a blurry image.
And so I realized that the Lytro’s another form of movie camera. You’ll need to storyboard before using it.
Which means that there will be an entirely new generation of photographer.
Think Faye Dunaway in “Chinatown”
It’s a still camera
It’s a movie camera
It’s a still camera
It’s a movie camera
It’s BOTH!
Be prepared for some very cool photos … and a whole bunch of (as my mother would say) dreck.
Ira
PS
I cannot believe that it’s been less than a year since I met the amazing outstanding remarkable Gahlord!
I already knew you, so those adjectives have already been used
Jeff Turner says
You nailed it, Ira. We’re going to see some really engaging photos and some really boring stuff as people experiment. I’ve deleted a ton of shots already. The small viewfinder is another of its limitations. It’s really hard to stage the photos using it. There’s a good deal of faith involved.
Gahlord Dewald says
Chinatown might is an appropriate reference in so many ways, visually.
Jeff’s totally right about everyone not being a storyteller. Hard as that is to accept.
I suspect that a lot of people will think they’re storytellers and learn that, in fact, they are not–at least not in this medium. Or maybe they’re storytellers so long as it’s easy enough to tell the story (I’m having less and less time for lazy storytellers though).
Re: giving reason to click on blurry images
This one will be a repeat of naming practices for web navigation circa 1999: “We’ve got to make it mysterious and impenetrable so that they get curious and click on the link!”
Eventually it will sort itself out.
Ira Serkes says
The key to marketing homes is to be able to tell the story. I finally “grokked” this after hearing the amazing Stan Barron speak several times.
http://www.stanbarronproperties.com/
Most listing photos are about bedrooms and bathrooms. I like to complement the photos taken by our professional photographer by ones which tell the story. You can easily tell which of these photos I took.
http://www.715hillside.com
http://www.2900derby.com
http://www.1621buena.com
First step to effective use of the Lytro camera is to learn how to take the appropriate still photos.
Video is immensely more complex.
Ira
Ira Serkes says
This is a transition device.
The first high quality images will come from cinematographers, who know how to shoot video which move into (or out of) focus.
Regarding resolution and viewfinder .. those are simply details which will be easily and quickly improved in short order.
I see this as an intriguing niche tool.
I often adjust aperture to vary depth-of-field (DOP)
[http://www.flickr.com/photos/serkes/3461761916/in/set-72157617111980624/lightbox/]
[http://www.flickr.com/photos/serkes/3461761822/in/set-72157617111980624/lightbox/]
Will be interesting to see if I can be re-educated to NOT focus on things
[http://www.flickr.com/photos/serkes/6817386248/in/set-72157629537637505/lightbox/]
Ira
Which camera should I buy says
Hi,
There are a few easy ways to make a digital camera better: make the sensor bigger, improve the quality of the lens, speed up the processor. But those are incremental improvements on a basic technology that hasn’t changed much in a long time.
Andrew Childress